Invisible noise pollution: transducing electromagnetic fields into audio signals
3Dimensional Printing is the multicolored result of different recording sessions of a couple of 3D printers (the Sharebot NG – Next Generation and the DeltaWASP 20 40) at Fabb and at FabLab Milan between 2014 and 2015.
Duration ranges vary from 1 to 5 minutes, with the most sonically interesting excerpts from full printing cycles. Lots of pattern and sequences are available for selection and transformation.
Five different transducers were chosen to capture all the sonic details of these mechanisms:
– C-SERIES pro contact microphones;
– Barcus Berry 4000 Planar Wave System;
– Piezo Film Tab Contact Microphones by Cold Gold Audio;
– Custom Induction Coil Pick-up;
– Zoom MSH-6 MS Capsule.
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Over the last 20 years, my creative background in different disciplines of sound - from advertising for television and radio to cinema and mobile applications - has led me to an openness to a variety of ideas and sound styles.
I collaborated successfully with Italian and European directors, working on hundreds of TV and radio spots, developing a deep sense of storytelling.
I worked as a sound designer and re-recording mixer on several documentaries and feature films, such as “Rosso Fango” - a short war movie which won the “David di Donatello” prize in 2003 and “Yuri Esposito”, screened at the 70th Venice International Film Festival.
I wrote for renowned italian audio magazines and built an international sound community in the blog “Unidentified Sound Object”.
In addition to producing and delivering innovative sound effects libraries, I offer music consultancy for audiovisuals and compose experimental music and develop surround-sound for multimedia installations and live events.